Karen"KB" Brown
A former Principal Ballerina with the Dance
Theatre of Harlem, Ms. Brown was named
Oakland Ballet’s Artistic Director in April
2000. She has performed more than 22
principal roles under some of the world’s
most acclaimed choreographers including
Alonzo King, Irina Nijinska, Agnes de Mille,
George Balanchine and Glen Tetley. In 1986,
the New York Times honored her as one of the
season’s top 10 performers for her role as
“Lizzie” in Agnes de Mille’s Fall River
Legend. Ms. Brown is the first
African-American woman in the nation to
direct a ballet company. Karen Brown has
conducted professional ballet workshops for
more than 15 years, working with ballet
students in South Africa, Egypt, England and
across the US. She is in high demand as a
lecturer and teacher of master classes on
all levels from youth outreach to
professional. Ms. Brown brings a wealth of
experience to Oakland as a dance educator,
administrator, consultant, adjudicator and
international spokesperson for dance.
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Patricia Perez began her classical ballet training at the School of Alejo
Carpentier in Havana, Cuba at the age of ten, and continued at the school of
Prodanza directed by Laura Alonso. At 17, she was invited to the Ballet Festival
in Peru. Ms. Perez graduated as a ballerina and teacher of classical ballet from
Prodanza in Havana, after which she became a member of Compania de Ballet
Classico de la Havana. In 1998, she went to International Ballet Competition in
Jackson, Mississippi where she met Artistic Director Dennis Nahat, who offered
her a contract with the company.
Ms. Perez has been a guest dancer with Canton Ballet, Ashland Ballet and
Jefferson Ballet Theatre of New Orleans. During her career, Ms. Perez has worked
with many notable choreographers, including Dennis Nahat, Albert Mendez, Ivan
Monreal Alonso, Juregi Bonino, and Paul Abrahanson.
She has been a principal dancer in Swanilla, Coppelia, and The Nutcracker and
has performed in Les Sylphides, Apollo, Blue Suede Shoes, Carmen, Don Quixote,
Swan Lake, A Midsummer Night’s Dream, The Four Temperaments, Napoli pas
Classique, Giselle, Carmen, and many more.

Jenny Gilmore:
Jenny was trained at the Sacramento Ballet Co. and the Pacific Northwest Ballet
School. Jenny studied in summer programs at the San Francisco Ballet, the
Bolshoi Ballet Academy at Vail, and the Pacific Northwest Ballet School in
Washington. She started her professional career in 1997 with the Sacramento
Ballet in California before moving on to the Pacific Northwest Ballet in
Seattle, Washington in 1998 where she danced in productions of “Midsummer
Night’s Dream”, “Cinderella”, “The Four Temperments ”, and “The Nutcracker”.
In 1999, she was invited to dance at the Pittsburgh Ballet Theatre in
Pittsburgh, PA. Between 1999-2003, she participated in such programs as
“Divertimento”, “Don Quixote”, “Airs”, “Nutcracker”, and “Indigo in Motion”,
among others.
Daryl Gray studied acting and the violin as a child. He appeared in
monologues and plays and made his professional debut at age 14 in the role of
“Toby” in the St. Louis Opera Guild’s production of “The Medium”. He was trained
in a full theater and dance curriculum at the ABT school and in the Harkness
program under David Howard. He was a soloist with Maurice Bejart” Ballet of the
20th Century and appeared as a guest artist with dance companies in the U.S. and
abroad, as well as in Broadway musicals. For the concert stage, he has created
dances for the Joffrey, American Ballet Theater Workshop, Atlanta Ballet and
numerous other dance companies across the U.S. His choreography has also been
featured by the Brussels-based Bejart Ballet, Les Ballets Jazz De Montreal,
Batsheva Dance Co. of Israel, as well as by other companies in France, Germany,
Belgium, England, Canada, Australia, former Yugoslavia, Korea and South America.
His musical stagings have been seen at the New York City Opera, Playhouse 91 in
Manhattan, Brooklyn Academy of Music, Coconut Grove Playhouse, Santa Fe Festival
Theatre, Sacramento Music Circus, Chicago Civic Theater, Tampa Bay Performing
Arts Center and the St. Louis Muny Opera, as well as on CBS and PBS television.
Daryl Gray’s eclectic projects have included his co-direction and choreography
of PATIENCE for the NY Gilbert & Sullivan Players. The NY Times called it
“astonishing, delightful and accomplished”. The Ice Theatre of NY premiered his
ice-dancing duet, “Winter Dreams” at Rockefeller Center. And Gray directed,
wrote and produced two video tapes on the art of choreography in collaboration
with the Joffrey School. He staged a Disney extravaganza for the recording
industry in Washington, D.C. which featured the music of Alan Menken, dancer
Leslie Browne, as well as a cast of over 150, including recording artists and
Broadway cast members. Daryl choreographed and directed his theatrical
Australian dance version of THE PIRATES OF PENZANCE! This full-evening ballet,
including singers, which the press called “a sparkling treasure . . . one that
audiences will flock to” in The Australian, and “brave, enjoyably giddy,
compelling and ingeniously woven” in The New York Times, subsequently toured
extensively in Australia and was also presented by Columbia Artists on a 26-city
coast-to-coast U.S. tour. An American production by Ballet San Jose was voted
“Best of the Bay” by Mercury Newspaper in Fall 2004 . Daryl created the staging
for “A Celebration of the American Musical” presented at Avery Fisher Hall and
televised on “Live from Lincoln Center”. His critically acclaimed production of
“A Midsummer Night’s Dream” was repeated in the Berkshires as was his big band
“Threads from a String of Swing” at the Rich Forum in Stamford. Mr. Gray
recently taught for Ann Reinking’s Broadway Theater Project, created a new work
for North Carolina Dance Theater and staged the new musical “Bat Boy”. His
staging of “Carmen” is currently playing with the New York City Opera at Lincoln
Center. Selected by the Society of Stage Directors and Choreographers for
DanceBreak 2005, he created an original musical theater work performed in NYC in
February. Daryl is now working on a new Broadway bound musical.. A popular
master teacher, he has taught worldwide.

Shely Pack-Manning
danced professionally with the Pittsburgh Ballet Theatre and "Timepiece", a
Pittsburgh based modern dance company. She now lives in California where she
operates a dance studio in Half Moon Bay. Shely is a member of Dance Masters of
America where she serves on the National Board as a delegate.
Shely has taught master classes in Ballet, Modern, and Jazz and has judged
for many dance organizations throughout the United States and Canada including
Dance Masters of America and American Dance Awards. She has had many award
winning students throughout the years including the 2000 Miss Dance of America;
the 2001 Teen Mr. Dance of America; American Dance Awards Teen Male Dancer of
the Year for 2002; and 2003 Mr. Dance of America. Shely's students can be seen
in Broadway Touring Companies, music videos, television commercials, dvd movies,
professional ballet and modern dance companies and many have successful dance
studios of their own.
Claire Sheridan
created and chaired
the dance program (1977–97) at
Saint Mary’s
College of California. In 1999, she founded LEAP (Liberal Education for
Arts Professionals), an innovative Bachelor of Arts degree program
specifically designed for professional dancers. Based in the San Francisco Bay
Area, the
program has recently expanded to Los Angeles, making it possible for working
dancers from the film and television industries as well as from established
ballet, modern, and ethnic dance companies to earn a respected college degree
and prepare for the future.
Claire also has extensive international experience as a teacher and
choreographer at the St. Petersburg Conservatory and the Academy of Culture (St.
Petersburg, Russia), Cambridge University (England), Charles
University (Prague), and with professional companies and colleges in India,
Japan, Germany, Switzerland, Palestine, Bosnia, and the Ukraine.

Kristine Elliott
Teacher of intermediate/ advanced ballet and ballet repertory in the Stanford
Dance Division. Ms. Elliott also directs the Cardinal Ballet at Stanford and a
wide range of performing opportunities for Stanford students including the
Viennese Ball and the annual Spring Migration Concert. In addition, Kristine
teaches open professional ballet classes at the Zohar School of Dance in Palo
Alto, the American Ballet Theatre's Summer Intensive Program in New York City,
as well as master classes around the United States.
Ms. Elliott received her early training from Richard Gibson. She began her
professional career in John Cranko's Stuttgart Ballet Company (1970-1975). In
1975, Ms. Elliott joined the American Ballet Theatre (1975-1982) as a soloist
under the directorship of Lucia Chase and later Mikhail Baryshnikov. Ms. Elliott
danced ballerina roles in Giselle, Coppelia, Baryshnikov's Nutcracker, les
Sylphides, Mararova's La Bayadere, as well as Miss Julie, Balanchine's Theme and
Variations, and Nureyev's Raymonda. Leading roles were created especially for
ms. Elliott by Antony Tudor in his Leaves Are Fading, and by Twyla Tharp in Push
Comes to Shove. Upon returning to San Francisco in 1983, Ms. Elliott co-founded
the Dancers' Stage School and Ballet Company.