Dennis Nahat, ballet san jose, san jose studio
Dennis Nahat
Nahat's dance training began in Detroit, Michigan at the age of 8 under the direction of Enid and Jeff Ricardeau and Kay Bliss at the Ricardeau Studio.  At 17 he was awarded a full scholarship in dance and minor in music at the Juilliard School of Music and continued training under the guidance of Martha Hill, Martha Graham, José Limón, Anna Sokalow, Antony Tudor and Louis Horst. Nahat has performed and choreographed major works for American Ballet Theatre (ABT), Atlanta Ballet, Hartford Ballet, The Royal Swedish Ballet, The London Festival Ballet, and Ballet Nuevo Mundo de Caracas.
He co-founded the School of Cleveland Ballet in 1972, the Cleveland Ballet in 1976. In 1985 he created the co-venture between San Jose, California and Cleveland known as the Cleveland San Jose Ballet. After twenty-five years the Board of Trustees in Cleveland decided to suspend operations on September 7, 2000 forever. The San Jose partners were left with the decision to continue or suspend operations as their partner had done. The San Jose Trustees voted unanimously to continue presenting ballet to the Bay Area as they had done for the past fifteen years. A new American ballet company was born making its debut on October 12, 2000 in San Jose, California. Nahat moved the entire ensemble of dancers, wardrobe and scenic shops to San Jose where he is the Artistic Director of his new BALLET SAN JOSE SILICON VALLEY. His numerous choreographic credits extend to musical theater, television and the movies.
Mr. Nahat was responsible for the selection of competitors at the USA International Ballet Competition. He also directed the 1994 and 1998 competitor Choreography Workshop, staged the final Awards Gala and taught competitor classes during the competitions. In July of 2000 he was invited for the fourth time to return to Denmark, Copenhagen where he taught the art of choreography, pas de deux and repertory classes at the prestigious Bartholin International Ballet Seminar. Since 2000, Mr. Nahat was appointed Artistic Director for the Usdan Center for the Creative and Performing Arts ballet program on Long Island, New York. He continues as Artistic Director at his own Ballet San Jose Silicon Valley school.
  
Karen Brown
Karen"KB" Brown
 
A former Principal Ballerina with the Dance Theatre of Harlem, Ms. Brown was named Oakland Ballet’s Artistic Director in April 2000. She has performed more than 22 principal roles under some of the world’s most acclaimed choreographers including Alonzo King, Irina Nijinska, Agnes de Mille, George Balanchine and Glen Tetley. In 1986, the New York Times honored her as one of the season’s top 10 performers for her role as “Lizzie” in Agnes de Mille’s Fall River Legend. Ms. Brown is the first African-American woman in the nation to direct a ballet company.

Karen Brown has conducted professional ballet workshops for more than 15 years, working with ballet students in South Africa, Egypt, England and across the US. She is in high demand as a lecturer and teacher of master classes on all levels from youth outreach to professional. Ms. Brown brings a wealth of experience to Oakland as a dance educator, administrator, consultant, adjudicator and international spokesperson for dance.
 

Patricia Perez

 

Patricia Perez began her classical ballet training at the School of Alejo Carpentier in Havana, Cuba at the age of ten, and continued at the school of Prodanza directed by Laura Alonso. At 17, she was invited to the Ballet Festival in Peru. Ms. Perez graduated as a ballerina and teacher of classical ballet from Prodanza in Havana, after which she became a member of Compania de Ballet Classico de la Havana. In 1998, she went to International Ballet Competition in Jackson, Mississippi where she met Artistic Director Dennis Nahat, who offered her a contract with the company.
Ms. Perez has been a guest dancer with Canton Ballet, Ashland Ballet and Jefferson Ballet Theatre of New Orleans. During her career, Ms. Perez has worked with many notable choreographers, including Dennis Nahat, Albert Mendez, Ivan Monreal Alonso, Juregi Bonino, and Paul Abrahanson.
She has been a principal dancer in Swanilla, Coppelia, and The Nutcracker and has performed in Les Sylphides, Apollo, Blue Suede Shoes, Carmen, Don Quixote, Swan Lake, A Midsummer Night’s Dream, The Four Temperaments, Napoli pas Classique, Giselle, Carmen, and many more.

Jenny Gilmore

Jenny Gilmore:
Jenny was trained at the Sacramento Ballet Co. and the Pacific Northwest Ballet School. Jenny studied in summer programs at the San Francisco Ballet, the Bolshoi Ballet Academy at Vail, and the Pacific Northwest Ballet School in Washington. She started her professional career in 1997 with the Sacramento Ballet in California before moving on to the Pacific Northwest Ballet in Seattle, Washington in 1998 where she danced in productions of “Midsummer Night’s Dream”, “Cinderella”, “The Four Temperments ”, and “The Nutcracker”.

In 1999, she was invited to dance at the Pittsburgh Ballet Theatre in Pittsburgh, PA. Between 1999-2003, she participated in such programs as “Divertimento”, “Don Quixote”, “Airs”, “Nutcracker”, and “Indigo in Motion”, among others.Daryl Gray

Daryl Gray studied acting and the violin as a child. He appeared in monologues and plays and made his professional debut at age 14 in the role of “Toby” in the St. Louis Opera Guild’s production of “The Medium”. He was trained in a full theater and dance curriculum at the ABT school and in the Harkness program under David Howard. He was a soloist with Maurice Bejart” Ballet of the 20th Century and appeared as a guest artist with dance companies in the U.S. and abroad, as well as in Broadway musicals. For the concert stage, he has created dances for the Joffrey, American Ballet Theater Workshop, Atlanta Ballet and numerous other dance companies across the U.S. His choreography has also been featured by the Brussels-based Bejart Ballet, Les Ballets Jazz De Montreal, Batsheva Dance Co. of Israel, as well as by other companies in France, Germany, Belgium, England, Canada, Australia, former Yugoslavia, Korea and South America. His musical stagings have been seen at the New York City Opera, Playhouse 91 in Manhattan, Brooklyn Academy of Music, Coconut Grove Playhouse, Santa Fe Festival Theatre, Sacramento Music Circus, Chicago Civic Theater, Tampa Bay Performing Arts Center and the St. Louis Muny Opera, as well as on CBS and PBS television. Daryl Gray’s eclectic projects have included his co-direction and choreography of PATIENCE for the NY Gilbert & Sullivan Players. The NY Times called it “astonishing, delightful and accomplished”. The Ice Theatre of NY premiered his ice-dancing duet, “Winter Dreams” at Rockefeller Center. And Gray directed, wrote and produced two video tapes on the art of choreography in collaboration with the Joffrey School. He staged a Disney extravaganza for the recording industry in Washington, D.C. which featured the music of Alan Menken, dancer Leslie Browne, as well as a cast of over 150, including recording artists and Broadway cast members. Daryl choreographed and directed his theatrical Australian dance version of THE PIRATES OF PENZANCE! This full-evening ballet, including singers, which the press called “a sparkling treasure . . . one that audiences will flock to” in The Australian, and “brave, enjoyably giddy, compelling and ingeniously woven” in The New York Times, subsequently toured extensively in Australia and was also presented by Columbia Artists on a 26-city coast-to-coast U.S. tour. An American production by Ballet San Jose was voted “Best of the Bay” by Mercury Newspaper in Fall 2004 . Daryl created the staging for “A Celebration of the American Musical” presented at Avery Fisher Hall and televised on “Live from Lincoln Center”. His critically acclaimed production of “A Midsummer Night’s Dream” was repeated in the Berkshires as was his big band “Threads from a String of Swing” at the Rich Forum in Stamford. Mr. Gray recently taught for Ann Reinking’s Broadway Theater Project, created a new work for North Carolina Dance Theater and staged the new musical “Bat Boy”. His staging of “Carmen” is currently playing with the New York City Opera at Lincoln Center. Selected by the Society of Stage Directors and Choreographers for DanceBreak 2005, he created an original musical theater work performed in NYC in February. Daryl is now working on a new Broadway bound musical.. A popular master teacher, he has taught worldwide.

Shely Pack-Manning

Shely Pack-Manning

danced professionally with the Pittsburgh Ballet Theatre and "Timepiece", a Pittsburgh based modern dance company. She now lives in California where she operates a dance studio in Half Moon Bay. Shely is a member of Dance Masters of America where she serves on the National Board as a delegate.

Shely has taught master classes in Ballet, Modern, and Jazz and has judged for many dance organizations throughout the United States and Canada including Dance Masters of America and American Dance Awards. She has had many award winning students throughout the years including the 2000 Miss Dance of America; the 2001 Teen Mr. Dance of America; American Dance Awards Teen Male Dancer of the Year for 2002; and 2003 Mr. Dance of America. Shely's students can be seen in Broadway Touring Companies, music videos, television commercials, dvd movies, professional ballet and modern dance companies and many have successful dance studios of their own.Claire Sheridan

Claire Sheridan created and chaired the dance program (1977–97) at Saint Mary’s College of California. In 1999, she founded LEAP (Liberal Education for Arts Professionals), an innovative Bachelor of Arts degree program
specifically designed for professional dancers. Based in the San Francisco Bay Area, the
program has recently expanded to Los Angeles, making it possible for working
dancers from the film and television industries as well as from established ballet, modern, and ethnic dance companies to earn a respected college degree and prepare for the future. Claire also has extensive international experience as a teacher and choreographer at the St. Petersburg Conservatory and the Academy of Culture (St. Petersburg, Russia), Cambridge University (England), Charles
University (Prague), and with professional companies and colleges in India, Japan, Germany, Switzerland, Palestine, Bosnia, and the Ukraine.

Kristine Elliott

Kristine Elliott
Teacher of intermediate/ advanced ballet and ballet repertory in the Stanford Dance Division. Ms. Elliott also directs the Cardinal Ballet at Stanford and a wide range of performing opportunities for Stanford students including the Viennese Ball and the annual Spring Migration Concert. In addition, Kristine teaches open professional ballet classes at the Zohar School of Dance in Palo Alto, the American Ballet Theatre's Summer Intensive Program in New York City, as well as master classes around the United States.
Ms. Elliott received her early training from Richard Gibson. She began her professional career in John Cranko's Stuttgart Ballet Company (1970-1975). In 1975, Ms. Elliott joined the American Ballet Theatre (1975-1982) as a soloist under the directorship of Lucia Chase and later Mikhail Baryshnikov. Ms. Elliott danced ballerina roles in Giselle, Coppelia, Baryshnikov's Nutcracker, les Sylphides, Mararova's La Bayadere, as well as Miss Julie, Balanchine's Theme and Variations, and Nureyev's Raymonda. Leading roles were created especially for ms. Elliott by Antony Tudor in his Leaves Are Fading, and by Twyla Tharp in Push Comes to Shove. Upon returning to San Francisco in 1983, Ms. Elliott co-founded the Dancers' Stage School and Ballet Company.